People are inexplicably disappearing from Chicago prosecutor Jess Koster's life. Eight years ago, her mother vanished without a trace and now a client, the victim of a brutal, sadistic rapist, is also missing. Someone is disrupting Jess's neat, ordered existence with chaos and terror. And from the shadow of her past, a maniac is watching her, stalking her - and there's no one Jess can trust, for she feels with blood-chilling certainty that her mysterious tormentor is perilously close . . . and that the next missing person might be her.
From the Trade Paperback edition.
From Publishers Weekly
Although this latest vehicle by the author of See Jane Run ultimately reaches an ingeniously crafted finale, readers may tire of Fielding's (mostly irrelevant) plot detours and excessive emotional baggage--specifically, the protagonist's constant state of anxiety. Suspense along the way is minimal and often forced, while, for most of its length, the novel reads like a not especially compelling domestic drama. Jess Koster, a 30-year-old prosecutor in the Cook County (Ill.) state's attorney's office, overreacts to just about everyone and everything; she is particularly obsessed with her mother's unexplained disappearance eight years earlier. (A remark by her mother, in fact, is one of the book's many annoyingly repeated phrases.) The attenuated storyline snakes around three men in Jess's life; while they figure prominently in a clever denouement, their individual encounters with Jess exhibit little freshness. Jess's family relationships are unconvincingly strained, while her courtroom work proves mundane: in a pointless trial sequence, her strategy for winning a murder conviction, hailed by coworkers as "brilliant," will be old hat to mystery devotees. Because this heroine seems not to like herself--and displays few engaging qualities--it becomes difficult to like or empathize with her (often imaginary) plights. First serial to Cosmopolitan; Literary Guild main selection. Copyright 1993 Reed Business Information, Inc.
From Library Journal
The joy of a good whodunit so often lies in how the author plays with and reveals the possible twists. So it is with Fielding's Tell Me No Secrets. Fielding tries to weave district attorney Jess Koster's complicated inner struggle of past and present fears with her current cases--horrible crimes that force Jess to face her vulnerabilities. The clues add up, and listeners will probably figure it out long before Jess does, but there remains skill to admire in how Fielding closes this novel and pulls it all together. The reading by Jean Reed Bahle plays a huge role in one's enjoyment, as she captures Rick Ferguson's cruel leer and Jess's wild imaginings and private admonishments. Bahle must overcome some stilted writing, especially mid-story, but she helps keep the listener interested. For large mystery collections. - Joyce Kessel, Villa Maria Coll . , Buffalo, N.Y . Copyright 1994 Reed Business Information, Inc.
Description:
People are inexplicably disappearing from Chicago prosecutor Jess Koster's life. Eight years ago, her mother vanished without a trace and now a client, the victim of a brutal, sadistic rapist, is also missing. Someone is disrupting Jess's neat, ordered existence with chaos and terror. And from the shadow of her past, a maniac is watching her, stalking her - and there's no one Jess can trust, for she feels with blood-chilling certainty that her mysterious tormentor is perilously close . . . and that the next missing person might be her.
From the Trade Paperback edition.
From Publishers Weekly
Although this latest vehicle by the author of See Jane Run ultimately reaches an ingeniously crafted finale, readers may tire of Fielding's (mostly irrelevant) plot detours and excessive emotional baggage--specifically, the protagonist's constant state of anxiety. Suspense along the way is minimal and often forced, while, for most of its length, the novel reads like a not especially compelling domestic drama. Jess Koster, a 30-year-old prosecutor in the Cook County (Ill.) state's attorney's office, overreacts to just about everyone and everything; she is particularly obsessed with her mother's unexplained disappearance eight years earlier. (A remark by her mother, in fact, is one of the book's many annoyingly repeated phrases.) The attenuated storyline snakes around three men in Jess's life; while they figure prominently in a clever denouement, their individual encounters with Jess exhibit little freshness. Jess's family relationships are unconvincingly strained, while her courtroom work proves mundane: in a pointless trial sequence, her strategy for winning a murder conviction, hailed by coworkers as "brilliant," will be old hat to mystery devotees. Because this heroine seems not to like herself--and displays few engaging qualities--it becomes difficult to like or empathize with her (often imaginary) plights. First serial to Cosmopolitan; Literary Guild main selection.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
The joy of a good whodunit so often lies in how the author plays with and reveals the possible twists. So it is with Fielding's Tell Me No Secrets. Fielding tries to weave district attorney Jess Koster's complicated inner struggle of past and present fears with her current cases--horrible crimes that force Jess to face her vulnerabilities. The clues add up, and listeners will probably figure it out long before Jess does, but there remains skill to admire in how Fielding closes this novel and pulls it all together. The reading by Jean Reed Bahle plays a huge role in one's enjoyment, as she captures Rick Ferguson's cruel leer and Jess's wild imaginings and private admonishments. Bahle must overcome some stilted writing, especially mid-story, but she helps keep the listener interested. For large mystery collections.
- Joyce Kessel, Villa Maria Coll . , Buffalo, N.Y .
Copyright 1994 Reed Business Information, Inc.